The story of block printing dates back to the ancient Indus Valley Civilization, where the iconic cloverleaf motif was discovered printed on the robe of a sculpture excavated from the site—a pattern created using the traditional Ajrakh technique.
This series of sculptures draws from the rich history, diversity, and narratives held within wooden blocks used for creating Pashmina textile. Each block serves as a storyteller, carrying centuries of craftsmanship, cultural memory, and artistry.
In the larger wooden block sculpture, a single printing block is dramatically scaled up. This exaggerated size transforms it into a striking sculptural form, encouraging close observation of its intricate details. Carved from wood, these works elevate a familiar hand-held object to a monumental presence.
In the column works, authentic blocks—weathered from years of use—become the core building units. Assembled into vertical columns, their carved motifs are animated by laser-cut stainless steel patterns that emerge from the blocks, infusing movement into otherwise static forms. These monochromatic, architectural assemblies are presented as installations, standing both as a tribute to the heritage of block printing and as a contemporary reimagining of the craft through sculpture.
